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Illumination of books and manuscripts. --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria
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UCL has one of the foremost university Special Collections in the UK. It is a treasure trove of national and international importance, comprising over a million items dating from the 4th century AD to the present day. Treasures from UCL draws together detailed descriptions and images of 70 of the most prized items. Between the magnificent illuminated Latin Bible of the 13th century and the personal items of one of the 20th century's greatest writers, George Orwell, the many highlights of this remarkable collection will delight and intrigue anyone who picks up this book.
Libraries --- Antiquities --- Special collections. --- Illuminated manuscripts. --- Collections. --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Material culture --- Archaeology --- Documentation --- Public institutions --- Librarians --- Library special collections --- Special collections in libraries --- Library resources --- archives --- library --- special collections --- Manuscript --- University College London
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Illumination of books and manuscripts. --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Saint John's Bible. --- Bible --- St. John's Bible --- Bible.
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The present volume is the result of a comprehensive investigation of 86 illuminated manuscripts and fragments that are now in the University Library in Graz. Produced between 1225 and 1300, the works almost all came to Graz from monasteries in Styria, Carinthia, and Slovenia, where they were held until the secularizations of the late 18th century.Manuscripts are among the most multifaceted forms of evidence from the Middle Ages, providing invaluable information on the time of their creation and on later periods. The present volume is the result of a comprehensive investigation of 86 illuminated manuscripts and fragments that are now in the University Library in Graz. Produced between 1225 and 1300, the works almost all came to Graz from monasteries in Styria, Carinthia, and Slovenia, where they were held until the secularizations of the late 18th century. The volume approaches this material from an art-historical perspective and sets it within its historical, cultural, and intellectual contexts. Stylistic analysis of the illuminations shows that only a relatively small proportion of the works was made locally, and that most of the manuscripts were imports from major centres of European book production – such as Bologna, Paris, or South France. Die vorliegende Publikation enthält eine wissenschaftliche Tiefenerschließung von 86 illuminierten Handschriften und Fragmenten (1225 bis 1300), die aus säkularisierten Klöstern der Steiermark, Kärntens und Sloweniens stammen und sich heute in der Grazer Universitätsbibliothek befinden.Handschriften gehören zu den vielschichtigsten Zeugnissen des Mittelalters und sind Quellen von unschätzbarem Wert, die wichtige Informationen sowohl zu dieser Epoche als auch zu ihrer Bedeutung für die Gegenwart liefern. Der vorliegende Band basiert auf der wissenschaftlichen Tiefenerschließung von 86 illuminierten Handschriften und Fragmenten, die aus säkularisierten Klöstern der Steiermark, Kärntens und Sloweniens stammen und sich heute in der Grazer Universitätsbibliothek befinden. Zwischen 1225 und 1300 entstanden, wurden die Werke aus kunsthistorischer Perspektive ausgewertet und in ihren historischen, kulturellen sowie intellektuellen Kontext eingebettet. Dabei ließ sich feststellen, dass es sich bei vielen Handschriften um Importe aus großen Buchproduktionszentren Europas, wie Bologna, Paris oder Südfrankreich, handelt und nur verhältnismäßig wenige Werke in den heimischen Konventen entstanden, aus denen sie überliefert wurden.
Kunstgeschichte, Illuminierte Handschriften, 13. Jahrhundert, Einbände, Klöster, Mittelalterliche Bibliotheken --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunstgeschichte (604019) --- Art History, Illuminated Manuscripts, 13th Century, Bookbindings, Monasteries, Medieval Libraries --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art history (604019)
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Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons
illuminated manuscripts --- Gothic [Medieval] --- propaganda --- sculpture [visual work] --- British Isles Medieval styles --- architecture [object genre] --- Art --- easel paintings [paintings by form] --- anno 1200-1499 --- anno 700-799 --- anno 600-699 --- anno 800-1199 --- anno 1500-1599 --- Great Britain --- Art, Medieval --- Art, Renaissance --- Art médiéval --- Art de la Renaissance --- sculpture [visual works] --- Art médiéval --- Renaissance art --- Medieval art
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In Illuminating in Micrography , Dalia-Ruth Halperin analyzes the Catalan Micrography Maḥzor, a fourteenth-century Barcelonan manuscript in Israel’s National Library. Decorated with micrography, the Jewish scribal art typical of Bible manuscripts, this maḥzor, which includes a rich full-page panel micrography cycle, is unique. Along with the codicological and paleographical analysis, essential for understanding the scribe’s thought and working processes, the author’s meticulous reading of the micrography text reveals the scribe’s textual editing and manipulations. Decoding his writing flow and sequences revealed a close association between the penned text and the images formed, which reflect a Jewish theosophical-theurgical cycle. Evidence of the scribe’s association with the renowned Bassa atelier enhances our knowledge of the cultural, economic, and ethnic realities of the time.
Jewish illumination of books and manuscripts. --- Calligraphy, Hebrew. --- Writing, Minuscule --- Illumination of books and manuscripts --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Minuscule writing --- Hebrew calligraphy --- Illumination of books and manuscripts, Jewish --- Bet ha-sefarim ha-leʼumi ṿeha-universiṭaʼi bi-Yerushalayim.
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The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.
Book history --- Manuscripts. Epigraphy. Paleography --- illuminated manuscripts --- anno 500-1499 --- 09 <082 LOWDEN, JOHN> --- 091 --- 091.31 --- 091.31 Verluchte handschriften --- Verluchte handschriften --- 091 Handschriftenkunde. Handschriftencatalogi --- Handschriftenkunde. Handschriftencatalogi --- 09 <082 LOWDEN, JOHN> Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--LOWDEN, JOHN --- Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--LOWDEN, JOHN --- E-books --- Illumination of books and manuscripts, Medieval. --- Manuscripts, Medieval. --- Painting, Medieval
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Science --- Iconography --- drawings [visual works] --- prints [visual works] --- photographs --- installations [visual works] --- design [discipline] --- geometric figures --- easel paintings [paintings by form] --- architecture [object genre] --- patterns [design elements] --- illuminated manuscripts --- philosophy of art --- BioArt --- Art and science. --- Pattern perception. --- Cognition and culture. --- Culture and cognition --- Cognition --- Culture --- Ethnophilosophy --- Ethnopsychology --- Socialization --- Design perception --- Pattern recognition --- Form perception --- Perception --- Figure-ground perception --- Science and art
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Hellboy, Mike Mignola's famed comic book demon hunter, wanders through a haunting and horrific world steeped in the history of weird fictions and wide-ranging folklores. Hellboy's World shows how our engagement with Hellboy's world is a highly aestheticized encounter with comics and their materiality. Scott Bukatman's dynamic study explores how comics produce a heightened "adventure of reading" in which syntheses of image and word, image sequences, and serial narratives create compelling worlds for the reader's imagination to inhabit. Drawing upon other media-including children's books, sculpture, pulp fiction, cinema, graphic design, painting, and illuminated manuscripts-Bukatman reveals the mechanics of creating a world on the page. He also demonstrates the pleasurable and multiple complexities of the reader's experience, invoking the riotous colors of comics that elude rationality and control and delving into shared fictional universes and occult detection, the horror genre and the evocation of the sublime, and the place of abstraction in Mignola's art. Monsters populate the world of Hellboy comics, but Bukatman argues that comics are themselves little monsters, unruly sites of sensory and cognitive pleasures that exist, happily, on the margins. The book is not only a treat for Hellboy fans, but it will entice anyone interested in the medium of comics and the art of reading.
Comic books, strips, etc. --- History and criticism --- Mignola, Michael --- Hellboy, --- Criticism and interpretation. --- History and criticism. --- Hellboy --- Mignola, Michael. --- Hellboy (Fictitious character : Mignola) --- Mignola, Mike --- Mignola, Mike. --- Comic books, strips, etc --- abstraction. --- adaptation. --- animation. --- childrens books. --- cinema. --- comics. --- darkhorse comics. --- demon. --- detective. --- fictional universes. --- folklore. --- graphic design. --- graphic novels. --- hellboy. --- horror. --- illuminated manuscripts. --- imagination. --- literary criticism. --- materiality. --- media. --- monsters. --- mystery. --- nonfiction. --- occult. --- painting. --- pleasure of reading. --- popular culture. --- pulp fiction. --- reader. --- reading. --- religion. --- sculpture. --- serial narratives. --- sublime. --- supernatural. --- visual narratives.
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Islam --- architecture [discipline] --- Architecture --- Islamic [culture or style] --- architectural history --- islamitische kunst --- art history --- decorative arts --- illuminated manuscripts --- Islamic World, The --- kunst --- islamitische architectuur --- History of civilization --- Applied arts. Arts and crafts --- Islamitische kunst ; geschiedenis --- Islamitische architectuur --- #gsdbA --- 7.033.3 --- 72.033.3 --- islam --- architectuur --- geschiedenis --- cultuur --- 7.033 --- Islamitische, Arabische kunst van de Middeleeuwen --- Islamarchitectuur --- Islam (architectuur) --- Islamkunst --- Islamitische kunst --- kunst - middeleeuwen (incl. Byzantijnse, christelijke en islamitische kunst) --- Islamic art. --- Architecture, Islamic. --- Islamic civilization. --- 7.033.3 Islamitische, Arabische kunst van de Middeleeuwen --- #GGSB: Islam --- #GGSB: Kunst --- decorative arts [discipline] --- Kunst --- architectuur, klassieke oudheid
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